by Roger White
Fellow time/space voyagers and other occasional devotees of “This Old Blouse,” I am more tickled than a duffel bag full of marsupials to announce the return of my dear friend, front porch sartorial mentor, and fellow breakfast-nook philologist, Sir Archie Ferndoodle (applause, applause, applause).
Yes, the former poet laureate of the Greater Southwestern Scribes Society, which meets every third Thursday in the back of Sue’s Salon in Cement, Texas, has been gently coaxed out of quasi-retirement to once again bless us with phrasings, words, syllables, parts of syllables, and renderings of nocturnal animal sounds from the Ulan Bator region as only Sir Archie can. (And remember, if you mention this column at Sue’s Salon, you get 10 percent off a five-ounce jar of Sue’s Coconut Heel Scrub with the purchase of at least $20, not including her patented Tomato-Lye Jamboree Hair Tonic.)
As I’m sure you remember, the esteemed Fernie holds an associate’s degree in postmodern comparative limerick studies from the University of Southern Panama’s Correspondence College and has been featured five times in the American Anthology of Poetry. Just a few of his classics include “Oh, Staff Sergeant, My Staff Sergeant!,” “Why Is the Man Always from Nantucket?,” “The Squirrels Stopped Talking to Me Today,” and his latest, “A Stitch, a Horse, and a Can of Pearl,” which was the inside-cover poem in the most recent edition of the Cement Area Greensheet.
The more astute of you may have seen Fernie’s hand in the Christmas edition of “This Old Mouse.” Raise your hand if you had the notion that Sir Archie was the ghostpen behind“The Nitrous Before Christmas.” Well, you’re dead wrong; I wrote that while flying low in my dentist’s office, but I did have ol’ Fernie in mind. In fact, he may have actually inhabited my body during that whole experience, but we digress again.
So anyway, without further magoo, I give you Sir Archie Ferndoodle, who has just returned from a five-month sojourn at the Tao Sendaha Haiku Sweat Lodge, just north of Pittsburgh.
Lenticular Haiku
by Archie Ferndoodle
Hand old, withered
Extended to young happy boy who
Smiles and
Coughs up a small border town near
Flagstaff.
Deposit slip with no meaning flutters
In brown surge of empty day. I find Julia at
Home making love to the Buick
Again.
Better judgment whispered
Toyota, Toyota.
Toyota. Smash hindsight with
Bitter hammer of stoli rocks. Ah.
Three grateful invertebrates argue
On who passed
Wind while each ascends
Mortgage.
Trees and earth know much more
Than they sing
To man accused of listening of listening
Of listening to Alex
Trebek and his minions. Only refuse
And then hear again, the daily
Double. Oh! Bodies of
Water for Four
Hundred.
Heat. No heat. Heat. No heat.
Shiny monster down the hillock to
CRASH waves of filament element
Parchment and wire. No heat toast is mere
bread and
Sorrow.
Dear Julia. I’m trading it
In.
Roger White is a freelance writer living in Austin, Texas, with his lovely wife, two precocious daughters, a very fat dachshund, and a self-absorbed cat. For further adventures, visit oldspouse.wordpress.com.
Have You Suffered Dizziness, Coughing, or Death Recently? If So…
20 Febby Roger White
So I’m curled up in bed on a drizzly, dreary Wednesday, nursing a bit of a cold (and when I say nursing, I mean I’m milking the most out of this sniffle so I can stay home—don’t try to deny that you know what I mean). I’m all set. Andy Griffith, Dick Van Dyke, The Big Valley—the whole lineup waits for me. I’ve got my rainbow-colored goldfish crackers, ice-cold Dr. Pepper in a glass with the bendy straw so I can drink it in bed, and—my favorite—Girl Scout lemonade cookies. Man, I got it made.
But about midway through the second or third TV show, I start feeling bad—not sick bad, like I’m pretending to be. No, I start feeling like some sort of no-account loser. A vague and nebulous guilt nags at me, as if I should be creating something or fixing something or learning to sell real estate or toning my abs. And I realize the culprit is my very own pal—the television. No!
Unfortunately, yes. TV advertisers assume, and maybe rightfully so, that the vast majority of folks who stay home during the daytime are unemployed, uninspired, unhappy underachievers. Have you watched the ads on daytime television lately? Talk about a real buzzkill. Shee.
From the time I watched Barney Fife try to arrest the governor of North Carolina for parking next to a fire hydrant to the time Lee Majors rescued his ma Barbara Stanwyck from evil rustlers, I’ll bet you I saw 37 commercials, all of them for one of the following:
I still don’t quite get the whole reverse mortgage thing. There must be something to it because they have former congressmen—heck, even Henry Winkler—hawking them. I reckon if a reverse mortgage is good enough for the Fonz, then maybe I should look into it. If it’s what it sounds like, I presume that in a reverse mortgage, the bank pays me a monthly mortgage payment, and then all the upper management people at Citibank Mortgage come and live in my house. Does this mean we have to move out, or can we just let all these guys sleep on the sofa bed until they get tired of the whole reverse mortgage deal?
And why a Brazilian butt lift? I’d like to see a good Norwegian butt lift now and then.
Man. I was going to stay home again on Thursday, but this is all too depressing. But ya know, I have been coughing and suffering some dizziness today. I might just call that law firm. I thought I caught a whiff of asbestos in the old cubie lately. Worth a shot, no?
Roger White is a freelance writer living in Austin, Texas, with his lovely wife, two precocious daughters, a very fat dachshund, and a self-absorbed cat. For further adventures, visit oldspouse.wordpress.com.
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