Archive | Screenplay Excerpts RSS feed for this section

Wake Up Uncle Dad: It’s Mashup Time Again

21 Mar

 

 

Calm. Simmer down, people. I know very well that it’s been quite the while since we forayed into the Movie Mashup milieu. And I know that you know, based on the influx of cards and letters and e-mails and texts and pokes and tweets and twits and skypes and likes and tags and yelps and yips and things. And you know that I know that you know, because here we are, stoking the furnace for another go-round. So you see, I know you know that I know that you know. You know? And furthermore…

 

Let’s start this again.

 

MiltIf you recall, what we have here, my fellow intergalactic itinerants, is a collection of famous lines from movies. However, quotes from two different movies have been smushed together to make one confused line. Here’s a for instance: “Milt, we’re gonna need to go ahead and move you downstairs to infinity and beyond. Mmmkay?” That there, you see, is a conglomeration of quotes from the movies “Office Space” and “Toy Story.” Dig? Dug.

 

Yep, it’s another installation of Movie Mashup. I should copyright this concept, so here you go. © 2017, by Me. All rights reserved by Me. Me Incorporated is a subsidiary of Me Enterprises, Norwalk, Connecticut. Any reproduction, adaptation, distribution, and/or exhibition in whole or in part are prohibited under penalty of law (and a large guy named Guiseppe) without the written permission of Me. So there.

 

So. Below (or to the left if you are perpendicular) are 20 Movie Mashups. Your job, if you choose tyike jesuso accept it, is to tell Me (see above) what two movies flirted around and had relations to produce the mixed-up quote. The first 283 people to respond with any semblance of an answer win a genuine “Jesus is Coming, Hide the Bong” bumper sticker. Seriously. If you get pulled over by the cops for displaying said bumper sticker, I will not be held accountable. E-mail Me at roger.white@tasb.org with your best guesses. Void in Iowa, Algeria, and under that bridge where the dogs wear shoes. Good luck, players. And, go:

 

  1. “Love means never having to call me Mister Tibbs!”
  2. “Mama always said life is like a box of—hey, I’m walking here! I’m walking here!”
  3. “Yo, Adrian! Wax on, wax off.”
  4. “I coulda been a contender, my precious.”
  5. “Go ahead, make my day. That’ll do, pig.”
  6. “You know how to whistle, don’t you? You just put your lips together and help me, Obi-Wan Kenobe.”
  7. “Hey, Stella! After all, tomorrow is another day.”
  8. “Hasta la vista, baby! The Dude abides.”
  9. “If you build it, he will just keep swimming.”
  10. “Every time a bell rings, an angel loves the smell of napalm in the morning.”
  11. “What we got here is failure to keep your friends close but your enemies closer.”
  12. “Roads? Where we’re going we don’t need no stinking badges.”
  13. “Houston, we have a problem. Is that hair gel?”
  14. “That boy is your company. And if he wants to eat up that tablecloth, you’ll let him. It’d be a lot cooler if you did.”
  15. “We have a pool and a pond. The pond would be better for you. And may the odds be ever in your favor.”
  16. “The first rule of Fight Club is: I’ll have what she’s having.”
  17. “You talkin’ to me? I see dead people.”
  18. “Toto, I have a feeling we’re going to need a bigger boat.”
  19. “Was it over when the Germans bombed Pearl Harbor? Here’s lookin’ at you, kid.”
  20. “Nobody puts Baby in a martini. Shaken, not stirred.”

 

Roger White is a freelance human living in Austin, Texas, with his lovely wife, two precocious daughters, a completely unmotivated dachshund, and a cat with Epstein-Barr Syndrome. For further adventures, visit oldspouse.wordpress.com.

 

 

 

OK, Cowpokes, Time for the Fifth Biennial OFPhC

16 Nov

by Roger White

 

I know what half of you are saying: You’re saying, “Well, there it is. He’s run out of material again. Despite the ridiculous wealth of silliness, brain-scrambling absurdities, and downright knuckle-dragging stupidity in today’s world, the Spouseman can’t think of one funny thing to say in this installment. He’s washed up, burned out, run dry, come up empty, on fumes, bit the dust, hit the wall, thrown in the towel, given up the ghost, run down the curtain and joined the choir invisible—in other words, he’s kaput.”

 

And the other half, in a rejoicing and ebullient tone, are exclaiming, “Huzzah! The Great and Glorious Spousemaster has heard our pleas and decided to favor us with yet another of his brilliant contests! Another opportunity for mind-expanding fun, mirthful frivolity, and a chance for free stuff! What a kind, thoughtful, and oh-so-creative wordsmith we have in our midst!”

 

And yet the third half of you are still scratching your pants and wondering just what in the hell “run down the curtain and joined the choir invisible” really means. Well, that takes some doing, but here goes: The term to “join the choir invisible” is George Eliot sort ofin reference to the poem penned by George Eliot in 1867 entitled “O May I Join the Choir Invisible” in which the author longs for the afterlife in which he can spend eternity singing hymns “whose music is the gladness of the world.” To be precise, however, George Eliot was the nom de plume of poet Mary Ann Evans (1819-1880), who used a male pen name to ensure that her works would be taken seriously, seeing as how female authors of Evans’ time were stereotyped as writing only lighthearted romances.

 

Now, to be even more precise, this term “join the choir invisible” was referenced in a Monty Python skit entitled “Dead Parrot Sketch” (originally aired 7 December 1969) in which John Cleese wishes to return a Norwegian Blue parrot he purchased
Hello POLLYfrom Michael Palin because the unfortunate bird is “bleeding demised, passed on, no more, ceased to be, expired and gone to meet its maker—a late parrot!” Despite Palin’s assurances that the poor parrot is merely “pining for the fjords,” it’s quite obvious this is an ex-parrot.

 

Anyway. For the second half of you, leaning forward in your La-Z-Boys with anticipation, be comforted, for here I bring you the Fifth Biennial Oldspouse Familiar Phrase Contest (OFPhC). For the first and third halves of you, feel free to skip over to Mike Jasper’s column. He usually has coupons for free beer at Boomerz for those who read to the end. And yes, I have received yet another supply of premium glossy bumper stickers as prizes. For those too young, old, sensible, or deciduous to remember, the OFPhC involves a pile of phrases, quotes, movie lines, book titles, common sayings, utterances, and/or bodily function noises that I’ve rendered in a somewhat obscure manner. Your job, should you decide to accept it, is to come up with the more common version of said utterances. For example, say I give you the phrase “Croaking before disgrace!” You say, “Death before dishonor!” Get it? See how easy?

 

First three people (I will accept dogs and possums, too) to respond at roger.white@tasb.org with the correct answers each wins a premium glossy bumper sticker (sorry, the “Keep Oak Hill Obtuse” ones are all gone—you get “Jesus is Coming. Hide the Bong”). And you get your name in the newspaper! Pseudonyms are fine.

Exciting, huh?

 

OK, ready and. Go. What are the more well-known versions of these sayings:

  1. In my dad’s home, there are lots of ritzy estates.
  2. You’re not anything except a canine used primarily for tracking.
  3. Birthed Untamed.
  4. A brain is an awful item to throw away.
  5. If glares could commit homicide.
  6. Cease the printing machines!
  7. Blood-pumping muscle to blood-pumping muscle.
  8. Nancy!These cowboy shoes are manufactured for treading.
  9. Subsistence of those in the best physical shape.
  10. Escort me out to the baseball contest.
  11. The evidence is within the dessert.
  12. An opening in 748 divided by 748.
  13. Squatting on the summit of the earth.
  14. Existence is a female dog.
  15. The lively Irish dance is not down.
  16. Four letters after T denotes the location.
  17. I’m as satisfied as a liquid party refreshment.
  18. Here we circumnavigate the perimeter of the plant bearing mulberries.
  19. Twelve a.m. cowpoke.
  20. She spews expletives with as much proficiency as a member of the navy.

 

Roger White is a freelance cowpoke living in Austin, Texas, with his lovely female spouse, two precocious offspring units, a very obese dachshund, and a cat with Epstein-Barr. For further adventures, visit oldspouse.wordpress.com. Or not.

 

A Mighty Wind Cometh (from an Empty Caveth)

15 Aug

almanack schmalmanackaesop schmaesopby Roger White

Never let it be said that the Spouseman ignores his readers. I recently checked my inbox and found myself inundated with an e-mail, which lamented the fact that I haven’t tested you guys with a Quizzical Quotes contest in ages. I figured we’d seen the end of QQ, seeing as how the last time we did this, three of you wrote in threatening physical violence (I won’t name full names, Ronnie, Margene, and Achmed) and I ended up in protracted litigation with the estate of Aesop’s Fables claiming copyright infringement.

But.

Ye have spoken, and thee has listened. Besides, the nifty column I had drafted about the quirky personalities in my neighborhood didn’t make it past my copy editor (that being my lovely wife)—so you’re safe for now, Ronnie, Margene, and Achmed.

The object of QQ is simple: give me the more popular version of the quotes, sayings, poems, tidbits, cereal boxtops, song titles, book titles, phrases, expressions, adages, aphorisms, platitudes and proverbs you see below. For example, the more well-known version of “I’ll take freedom or croaking” is … anyone? Bueller? Come on, it’s “Give me liberty or give me death.” Dig? Dug.

First 10 of you who e-mail me at rogdude@mail.com with anything close to the correct answers win a nifty “Jesus Is Coming, Hide the Bong” bumper sticker. First 10 of you who e-mail me your PayPal account information and anything close to the correct answers win two bumper stickers and a VIP seat at my book-signing party (to be announced as soon as I hear back from my guy Larry at Self-Publish America).

So here goes. I was going to go with 50 of them, but I got tired. Sue me.

1. “You are not just puckering your lips and melodiously blowing a tune popular in the Old South.”
2. “Rap on oak.”
3. “Treading on chicken-embryo casings.”
4. “Don’t inspect a free large, solid-hoofed herbivorous quadruped in its oral cavity.”
5. “Each canine possesses its 24-hour period.”
6. “Existence in the Driving Corridor Designated for Speedier Vehicles.”
7. “What’s the latest information, feline?”
8. “Don’t mooch things off other people and don’t loan out your stuff, either.”
9. “The clock doesn’t hang around for anybody.”
10. “In what manners do I really, really like you? Where’s the calculator?”
11. “The puny, soft-spoken guys will get the third planet from the sun.”
12. “A threaded knot at the appropriate interval precludes the necessity for three squared.”
13. “Amalgamated, our posture is upright; split apart, we hit the floor.”
14. “The precipitation in the northern Iberian peninsula comes down principally on the flatlands.”
15. “A snapshot equals a lot of talking.”
16. “Devotion has no eyesight.”
17. “Consume, imbibe, and laugh it up, because two days after yesterday we could kick the bucket.”
18. “An egg-laying winged vertebrate within the extremity has the same value as five minus three in the shrubbery.”
19. “As a pair of ocean-going vessels that came within close proximity of the other after the sun went down.”
20. “Only a couple of items are sure things: pushing up daisies and governmental levies on personal income.”
21. “Confection is nice; however, alcohol has a more rapid effect.”
22. “Being really smug and happy with yourself precedes a sudden drop.”
23. “The neatest items of existence don’t necessitate a trip to the bank.”
24. “My mind processes information, so I gotta be here.”
25. “Grasp this career occupation and push it.”
26. “This is a canine-consume-canine planetary sphere.”
27. “Twelve divided by four bed linens facing the breeze.”
28. “As comfortable as an insect within a floor covering.”
29. “Getting even is sugary.”
30. “Glimmer, Glimmer, Diminutive Gaseous Orb.”
31. “The guy who is the final guy to snicker has the highest-quality snicker.”
32. “Need is the mom of contraption.”
33. “The only item we should be scared of is being scared.”
34. “OK, let’s have the guy who’s done nothing wrong hurl the initial rock.”
35. “To Assassinate the State Bird of Texas.”
36. “Clear liquid’s all around, but we can’t imbibe any of it.”
37. “Every one of the monarch’s large, solid-hoofed herbivorous quadrupeds and every one of the monarch’s male homosapiens failed in their efforts to reconstruct the egg man.”
38. “Bluntly, Red, I do not care.”
39. “I detect spoilage in the Copenhagen area.”
40. “See ya, mean globe.”
41. “Inactive appendages equal Satan’s studio.”

Roger White is a freelance writer living in Austin, Texas, with his lovely wife, two precocious daughters, a very fat dachshund, and a self-absorbed cat. For further adventures, visit oldspouse.wordpress.com.

Well, Hit Me with an Anvil–It’s Contest Time Again

25 Jun

by Roger White

 

OK, OK, you don’t have to klonk the Spouseman over the head with an anvil. Speaking of, you don’t see too many anvils these days, do you? Think about it. When, in your daily comings and goings, have you come across a nice, sturdy yet aesthetically pleasing anvil recently? Critics of modern society may hold forth about how the increasingly technological, service-oriented nature of our economy today has killed such former life staples as record albums, newspapers, actual books, travel agencies, home phones, and the pleasure of becoming permanently out of touch with that behold the anvilglommy high school friend, but I say a true death knell for the world that was is the marked lack of anvils. There was once a time when every decent home needed a good anvil. Nowadays, I’ll bet you can go a whole year without even saying the word “anvil.” And this is so because we simply don’t make things anymore. We tweet. We blog. We text. We don’t plow and dig and forge things. Today’s kids may not even understand the term.

 

Old guy: “I need me a good anvil.”

 

Young guy: “What’s that? An Advil? Got a headache?”

 

Having said all that, however, I did find a reputable anvil supply house—on the internet, ironically enough. For all of your anvil needs, visit www.anvils4sale.com. A classic, German double-horn anvil will set you back about $2,700, but if you’re not fussy, you can land a decent, used church window anvil for right around a thousand bucks. I’m not exactly sure what a church window anvil is, but it sounds righteous.

 

I’ve been told by more than one Spouse reader that I tend to ramble. This may be true. Let me just say the word “anvil” one more time, and we can get to the meat of this column: Anvil. OK, I’m good.

 rambler guy

So, anyway, the whole reason I didn’t want to be klonked with a church window anvil is because you guys have been clamoring for another contest—namely the Movie Mashup. In retrospect, I realize it’s been since last December since we mashed up some good movies, so here we go. Father John Connor, you’re now eligible to participate again. And thanks for the rosary beads.

 

If you recall, what we have here, fellow catnip cosmonauts, is a collection of famous lines from movies. However, quotes from two different movies have been squished together to make one line. Here’s a for instance: “What we got here is failure to phone home.” This is, quite obviously, a collision of “Cool Hand Luke” and “ET: The Extra-Terrestrial.” Get it? No? Okay, here’s another one: “My precious goes all the way to eleven.” That’s a combo platter of “Lord of the Rings” and “This is Spinal Tap.” Or as I call it, “Lord of the Spinal Rings.”

 

So. Below (or above if you’re reading this upside down) are 10 Movie Mashups. Your job, if you choose to accept it, is to tell moi what two movies got cozy and had relations to make the mixed-up quote. The first 18,427 people to respond with any cinderfella storysemblance of an answer win a genuine “Jesus is Coming, Hide the Bong” bumper sticker. If you get pulled over by the cops for displaying said bumper sticker, I will not be held accountable. E-mail moi at rogdude@mail.com with your best guesses. Void in Maine, Oshkosh, and in that little gin joint over by 5th Street. Ready? Set? Bang.

 

  1. “You don’t understand. I coulda had class. I coulda been Mister Tibbs.”
  2. “Love means never having to round up the usual suspects.”
  3. “You’re gonna need a bigger damn dirty ape!”
  4. “Attica! Attica! Toga! Toga!”
  5. “Cinderella story. Outta nowhere. A former greenskeeper, now, about to become a martini. Shaken, not stirred.”
  6. “Say hello to my little wire hangers.”
  7. “Shane, you’re trying to seduce me. Aren’t you?”
  8. “As God as my witness, I’ll never see dead people again.”
  9. “Every time a bell rings, an angel gets a box of chocolates.”
  10. “I ate his liver with some fava beans and a nice elephant in my pajamas.”

BONUS: “I’m gonna get medieval on your pod bay doors, HAL.”

 

Roger White is a freelance writer living in Austin, Texas, with his lovely wife, two precocious daughters, a very fat dachshund, and a self-absorbed cat. For further adventures, visit oldspouse.wordpress.com.

 

Screenplay Excerpt: Diet Vanilla Life

2 Jan

DIET VANILLA LIFE

 

A screenplay by Roger White

Logline: A lifeworn, widowed ad copy writer follows a hunch after a wildly botched suicide attempt, and he discovers a new life and love by listening to a new voice.

Registered with WGA East

©Roger White, 2002-2011

FADE IN

INT. CRAMPED WORK CUBICLE – MORNING

Crowded on a prefabricated cubicle wall are dozens of tacked-up scraps of paper, letters, business memoranda, stickie notes, workplace pablum.

We slowly tour the cubicle wall as the Kinks’ “A Well Respected Man” leads us in.

              ‘Cause he gets up in the morning,

              And he goes to work at nine,

              And he comes back home at five-thirty,

              Gets the same train every time.

              ‘Cause his world is built ’round punctuality,

              It never fails.

              And he’s oh, so good,

              And he’s oh, so fine . . .

On the wall, focus on SOLITARY PICTURE, of a pretty thirty-something brunette woman and a young sandy-haired boy.

Amid a buzzing workplace drone, keyboards clacking, conversations rising and falling, a TIRED-LOOKING, GLUM FORTY-ISH MAN sits staring at his computer monitor. This is DREW McSHAN (a KEVIN SPACEY type), ad copy man. He’s about as inspired as chewed gum.

                                                              DREW

                                          (reading from his monitor)

                                         Are you happy one day, then down the

                                         next? Can’t seem to shake the blues?

                                         Then trade your blues for tangerines –

                                         with Uforium, the tiny tangerine tablet.

Drew shakes his head in disgust, banging the keys.

                                                            DREW

                                                Christ.

A COWORKER, DICK BURTON, pokes his head into Drew’s cube.

                                                            DICK

                                          Drew, you got that TV spot for

                                         Engorgia yet? Shaw said the reps

                                         want to hear some trials today.

                                                           DREW

                                         Goddammit, Dick, I’m still working on

                                         this peach-colored panacea. How’s this?

                                        “Life needn’t be so serious. With Uforium,

                                          you’re delirious. Just a handful of these little

                                         time-bombs, and you’re straight on

                                          for Stuporville.”

                                                           DICK

                                          Settle down, Drew.

                                                           DREW

                                          Tell Shaw one half-minute miracle at a time.

Still leaning into Drew’s cube, Dick waits for an answer.

                                                            DREW

                                              I’ll have it. I’ll have it. Give me ‘til

                                              this afternoon.

Dick leaves.

                                                            DREW

                                       Chemically induced boners. Would have

                                       invested if I’d known.

Drew clacks at his keyboard, reading from an info sheet.

                                                            DREW

                                     Use Uforium only as directed. Side

                                     effects may include watery eyes,

                                     constipation, shingles, rapid heart

                                     beat, dizziness, facial tics, anxiety

                                     and myocardial infarction.

INT. MEETING ROOM – DAY

Drew sits, trying his best to maintain a professional smile, next to a TALL, FUSSY MAN. This is SHAW, HIS BOSS. They’re sitting across a large oval meeting table from two SLICK YOUNG COMPANY REPS, BRAXTON and BRIGGS.

                                                            SHAW

                                       Mr. Braxton, Mr. Briggs, this is

                                      Drew McShan, one of our best copy

                                      men. Drew, before we go into a reading,

                                      the Engorgia boys here wanted to hear

                                      what you came up with for the wrap.

                                                           BRAXTON

                                        Yes, the ending really needs to tie

                                        it all together. It needs to put our

                                        name on the lips of men in the 45-to-

                                        69 slice.

                                                           BRIGGS

                                         A sentence that tells the Engorgia story.

Drew opens a folder.

                                                             DREW

                                   Uh, okay. So after the man laughs

                                  confidently, the woman pulls up the

                                  covers and says, “Engorgia, when you

                                  and your man want a rock-solid

                                  performance.”

Braxton allows a slight wince. Briggs scratches his chin.

                                                           BRAXTON

                                            A little too direct.

Drew retreats into more of his notes.

                                                             DREW

                                    Okay. After the man laughs confidently,

                                    the woman says, “Engorgia, for a

                                    difference you both can feel.”

Briggs purses his lips. Braxton thoughtfully shakes his head, looking skyward.

                                                          BRIGGS

                                            A little too demure.

Drew dives into his notes again, visibly impatient.

                                                           DREW

                                       Man laughs. Woman: “Engorgia, one of

                                       life’s not-so-little pleasures.”

Braxton and Briggs exchange dyspeptic glances.

                                                           BRAXTON

                                     Mm. Rather on the suggestive side,

                                    don’t you think?

                                                            SHAW

                                    Don’t worry, boys. What else, Drew?

Drew puts his notes away, folds his arms, and looks these flashy young corporate men squarely in the eyes.

                                                            DREW

                                   Man laughs confidently. Woman wipes man-juice

                                   from her mouth and says, “Engorgia, for a monster

                                   hard-on even a cat couldn’t scratch.”

                                                            SHAW

                                   Drew. My office, now.

INT. POSH OFFICE – DAY

Shaw’s fussy, sour mug fills the frame. Shaw’s not pleased.

                                                           SHAW

                                   I can’t understand what’s gotten into you, 

                                   Drew. Your attitude stinks. These are our clients

                                   you’re talking to. You can’t say that crap about

                                   their product.

                                                           DREW

                                     On the contrary, Mr. Shaw, I would say

                                     that any elongated little pill named Engorgia,

                                     whose sole purpose is to give old men colossal

                                     erections, is ripe for a little levity.

                                                            SHAW

                                    How long has it been? Since the accident?

Drew’s posture stiffens. He loses the smirk.

                                                             DREW

                                    Seven months. Seven months and two weeks.

                                                             SHAW

                                      We were all devastated, Drew. We

                                      all grieved with you. But when you

                                      came back, for several weeks there,

                                      you were on fire. I’d never seen

                                      the likes of some the pieces you put together.

                                      You were like a laser. The Herp-Away campaign’s

                                      up for the ADDY.

Drew sighs and shakes his head, ticking off Shaw.

                                                          SHAW

                                But you’re not irreplaceable! Lately it’s like you

                                just decided to check out. Last week I had you in

                               here for that mock ad you e-mailed everyone.

                                                            DREW

                                Which one was that?

                                                            SHAW

                                  Your little ADHD jingle.

Shaw picks up a printout and reads from it.

                                                           SHAW

                                  A little shot of Rilagin,

                                  And your kid’ll sit still again.

                                  Yes, Rilagin works just great

                                  If you want a drooling blank slate.

Drew stifles a grin.

                                                            SHAW

                                      Hilarious, Drew.

                                                             DREW

                                       They never proved it was me who sent that.

                                                             SHAW

                                        Was it you?

Drew nods, shrugging his shoulders. Shaw points a finger hard at Drew.

                                                         SHAW

                                  I don’t know where you are now. You need to

                                 do some serious thinking, Drew. You need to

                                 decide if your heart is in advertising. We need

                                  men with passion — passion you seem to be sadly

                                  lacking.

INT. OFFICE HALLWAY – DAY

Drew walks back to his cube, utterly unmotivated. He sits in his chair, staring at nothing. He rummages in a bottom drawer and picks up a pile of papers – a manuscript. Front page reads:

              The Caves of Sienna

              A novel by Drew McShan

INT. SMALL, RICHLY APPOINTED OFFICE – DAY

A dark, coiffed man — well-dressed, well-tanned, and self-importantly handsome — sits at his mahogany desk, sorting through a stack of oversized manila flats, each stuffed with loose pages. This is DANIEL ROSE. An art deco steel and plexiglas nameplate on his massive desk says so.

Daniel rips through one flat with a silver letter opener, and he unceremoniously dumps the contents onto his desk. He picks up the cover letter and reads.

                                                            DANIEL                           

                                   “The Controller. A former air traffic

                                    controller, bent on revenge against

                                    the government, whom he feels has

                                    unjustly fired him, plants ultra-high-

                                    tech terrorist devices in facilities

                                    nationwide. A uniquely talented FBI

                                    agent matches wits with —”

Daniel suddenly tosses the letter, manuscript, and all onto a large pile of similarly hopeful losers in the corner.

                                                          DANIEL

                                           Next.

He opens another and reads.

                                                          DANIEL

                                     “The Caves of Sienna, by D. McShan.

                                     A pair of preteen boys, best friends,

                                     uncovers a horrifying secret in the

                                     caves beneath a ghost town in rural

                                     Texas, which leads to —”

Daniel tosses the package into the loser corner.

                                                            DANIEL

                                     A Southern-fried Stand By Me. Right.

His office door opens, and a SLENDER BRUNETTE, mid-thirties, with high cheekbones and long limbs, striking and beautiful, enters. This is SUSAN McCRACKEN (picture SANDRA BULLOCK). She approaches Daniel’s desk, stopping short.

                                                         SUSAN

                                      You’re an ass.

                                                        DANIEL

                                       I’ve been called worse.

                                                         SUSAN

                                      Daniel, Greenberg said I’m right.

                                      I’m filing suit if you don’t take my

                                      name off the agency.

                                                           DANIEL

                                       Susan. You’re not leaving. We

                                       had this all worked out.

                                                           SUSAN

                                        No, Daniel, we didn’t. You think because

                                        you want something that’s how it will be.

                                        You don’t win this time.

Susan turns to leave. As she reaches the door, Daniel picks up a coffee cup from his desk and HURLS IT. IT SMASHES INTO THE WALL, inches from Susan’s head. Susan cowers for an instant, feeling her face for shards. A small speck of blood appears, running down her cheek.

                                                            DANIEL

                                         Susan . . . . Fuck. Are you okay?

She looks at the blood on her fingertips, then at Daniel. She fixes him with a long, iced glare, then leaves, slamming the door behind her.

INT. MOVING CAR – DAY

Drew’s creeping along in his not-so-new sedan, in bumper-to-bumper traffic. He punches the radio buttons, pausing for the strains of David Bowie’s “Space Oddity.”

                                                           RADIO

                                   “This is Ground Control to Major Tom,

                                    You’ve really made the grade,

                                    And the papers want to know

                                    Whose shirts you wear…”

Drew punches a button.

                                                           RADIO

                                     Traffic and weather’s brought to you

                                     by the Sacro-ili-Shack.

Drew talks right along with the radio ad, word for word.

                                                           RADIO and DREW

                                          For the posture-perfect bed

                                          that’s heaven on your back,

                                          You know where you gotta head,

                                          for the Sacro-ili-Shack.

The radio announcer blathers on in his Top 40 tempo, while Drew wearily eyes the traffic. Directly in front of him, a giant Hummer with Jesus fish and “NO-Bama” bumper sticker sits puffing smoke.

Drew looks to his right and sees a young woman chatting on her cell phone in the giant Hummer next to him. He looks to the left and sees a fat man in a Hummer chatting on his cell.

Drew puts on his blinker and tries to ease into the left lane behind the fat man’s mammoth vehicle. Another giant Hummer quickly cuts him off, not letting him in. The driver, a middle-aged woman on a cell phone, honks angrily and flips the finger at Drew.

Drew is able to squeeze in behind the angry woman’s Hummer. On her rear bumper is a Jesus fish and a “Palin in 2012” sticker.

Drew can only shake his head and manage a tired, wan smile.

INT. DIMLY LIT APARTMENT – NIGHT

Drew is hunting in the bowels of his refrigerator for something worth eating. He pulls out a TV dinner and inspects it.

                                                            DREW

                                         Hungry man. Why don’t they have

                                         anything aimed at the slightly

                                         peckish, nervous-stomach man?

Drew closes the freezer door and comes face to face with a beautiful photo. It’s a closeup of the pretty brunette holding that little sandy-haired boy, both smiling happily for the camera.

Drew gently touches the photo, and he looks ready to break into pieces. He starts to take the photo from the fridge when the phone rings. Drew thinks about letting it ring, but he picks up before the machine kicks in.

                                                           DREW

                                           Yeah?

                                                          VOICE ON PHONE

                                            McShan, the man. How’d it go today

                                            with Shaw?

                                                            DREW

                                             I wouldn’t use the word swimmingly,

                                             Dick. He wants me to ponder my life

                                             as I know it so far.

                                                         DICK’S VOICE

                                              Ah, come on. You’re the best copy man we

                                             got. Hemingway of the half-minute spot.

                                                            DREW

                                             Yeah, well ya know how he ended up.

                                                            DICK’S VOICE

                                             It was initially listed as a hunting

                                             accident.

                                                           DREW

                                             Is that right.

                                                          DICK’S VOICE

                                             Shaw’s just busting your balls.

                                             Hey, listen, Angie’s got bunko with

                                             the alcoholics down the street, wanna

                                             head over to Deep Eddy with me?

Drew eyes the Hungry Man dinner he’s still holding.

                                                            DREW

                                            Um. Yes.

Drew puts the dinner back in the freezer, taking another long look at the photo.

INT. NEON-LIT BAR – NIGHT

Dick and Drew sit at a square little table near a jukebox, in a cigarette-fogged dive. They drink their beers amid the snap of pool balls and the tin sound of Jimmy Buffet through cracked speakers.

                                                           DICK

                                        So I’m up there two weeks straight, all

                                        hours, putting together the A/V track,

                                        right? You remember.

Drew nods, pouring himself another beer from the pitcher.

                                                            DICK

                                     Practice take’s in the can, got the talent

                                     signed on, I mean, we’re ready to roll.

                                                           DREW

                                       Who’d ya get?

                                                            DICK

                                         Tom Reilly.

                                                           DREW

                                          Who?

                                                            DICK

                                           Tom Reilly. Played Officer Hot Dog Nelson

                                            in CHiPS, 1983.

                                                           DREW

                                            Oh. Not bad.

Drew glances over to a nearby table, where SUSAN SITS alone, solemnly staring at her untouched cocktail. She sports a small bandage on her cheek. Her eyes are red.

Drew catches himself staring, smiling sadly at this woman’s solitary misery, as Susan looks up and meets his gaze. Drew cocks his head slightly, still smiling at this striking woman, seeming so alone. Susan looks away.

                                                           DICK

                                       Yeah. Anyway, we’re good to go. Director’s

                                       there, film crew’s got booms rolling in. Suddenly,

                                       Mackey comes running onto the set.

                                                            DREW

                                         What? Mackey? From legal?

                                                             DICK

                                           Yeah, he’s screaming, “Stop! Stop! It’s

                                           off! It’s a no go!” Should have seen him.

                                            Fat bastard.

                                                           DREW

                                            What happened?

                                                            DICK

                                             Got a call from the guys at corporate.

                                             Apparently, the damn stuff causes cancer.

                                                            DREW

                                               Oh, my God.

                                                             DICK

                                               Yeah, it’s a real shame. It was a sweet-

                                               looking campaign. Down-home angle, just

                                               the right touch of cynical humor. Man.

                                               What a waste. Who would have thought a

                                                wart remover could cause cancer?

Drew snorts a laugh and drinks his beer, looking up at a TV set perched in a corner of the bar. On screen is a closeup of a wrinkled, frowning woman. The bottom of the screen reads: BEFORE BEAU-TEX. Next screen is the same woman, wrinkle-free and beaming: AFTER BEAU-TEX.

Drew downs his beer and gives his mug a thoughtful stare.

                                                             DREW

                                      The world’s a monstrous, vile, evil, hideous

                                      place. And it’s all because of advertising.

                                                             DICK

                                      Oh, God, not this again.

                                                             DREW

                                       We’re the devil, Dick.

                                                              DICK

                                        No, we’re not.

                                                              DREW

                                          We’re the devil’s agents, and we peddle

                                          garbage to the masses.

                                                            DICK

                                         Look, Drew, I’m no toadie. I’m not naïve enough

                                         to believe that every pitch we throw is a strike.

                                         But, dammit, some of that garbage, some of it, mind

                                         you, actually does some people a bit of good. It’s a

                                         living, like anything else. And by God, I’m proud of

                                         my meager talent. What else are you gonna do, shovel

                                         shit?

                                                            DREW

                                          Some would say that’s exactly what

                                          we’re doing.

Drew keeps staring thoughtfully at his beer mug.

                                                             DICK

                                        I’ve heard all this existential crap

                                        before, ya know. When Meg wanted

                                        you to quit.

The mention of Meg’s name snaps Drew to attention. He glares momentarily at Dick and pours himself another beer.

Drew drinks half of it in long, hard gulps.

                                                            DREW

                                        I was the one who wanted to quit.

                                                             DICK

                                         Ah, yes. To write the Mediocre American Novel.

                                         Horror story, right? Ever finish that thing?

                                                            DREW

                                          Got enough rejection slips to paper a cabin.

Drew finishes his beer and lets out a long, slow exhale.

                                                            DREW

                                        I deserved it, you know. Her leaving.

                                                              DICK

                                          Drew.

                                                             DREW

                                          We’d stopped fighting. I wouldn’t fight

                                          anymore. I wouldn’t even let her in.

                                          I ignored her. I relegated her to the

                                          status of some disagreeable accoutrement.

                                                             DICK

                                           It happens, Drew.

                                                             DREW

                                             But she was fair about Robby. She

                                             never denied me access. I was a

                                             good dad. Me and Robby . . .

Drew struggles to keep it together.

                                                           DREW

                                       We did everything together. We were

                                       writing a children’s book. An idea

                                       he had about a chocolate sprinkle in a

                                       banana split. I’d been moved out exactly

                                        a month when it happened.

                                                           DICK

                                         I know.

                                                            DREW

                                         Died instantly. They made a point of

                                         saying that. Died instantly.

                                                           DICK

                                          I know. Drew, I can’t sit here and say

                                          I know how you feel. If I lost Angie and

                                          the boys they’d probably find me in Antarctica

                                          counting penguins. But I do know you have to

                                          move on. You have to keep breathing, keep moving

                                          your arms and legs, keep trying to make life liveable.

                                          It’s all you can do.

                                                            DREW

                                          Never did like breathing all that much.

                                                             DICK

                                          Look, Angie knows a girl, lives in the neighborhood.

                                          Our kids are in the same playgroup. She’s divorced.

                                          Real sweet. Built like a ton of bricks.

                                                            DREW

                                           I dunno.

Dick finishes his beer and slaps Drew on the back.

                                                           DICK

                                       Well, I’ll tell you this, old man.

                                       You better shape up. Shaw’s still

                                       considering who’s taking over

                                       corporate accounts.

                                                           DREW

                                        I thought Renfro was in line for that.

                                                            DICK

                                         Renfro quit last week, didn’t you

                                         hear? Bad ticker.

                                                           DREW

                                         Damn, I’m out of the loop.

                                                           DICK

                                         Yeah, that makes you top on the

                                          pole. But you’re not doing yourself

                                          any favors lately. Better come

                                          out of the fog, man.

Still holding up his beer mug, Drew blows on the glass, fogging it. On it, he draws a smiley-man face, except the smile’s just a straight line, making it bland man.

Drew looks over to Susan’s table again, but she is gone, her drink untouched.

                                                            DREW

                                          Ton of bricks, huh?

INT. DREW’S APARTMENT – NIGHT

After an inordinate amount of fumbling and rattling of keys, the front door to Drew’s apartment opens, and Drew gains an awkward entrance. Drew’s singing, way off key.

                                                            DREW

                                         Oh, she’s a brick — house.

                                         She’s mighty mighty,

                                         Jus’ lettin’ it all hang out…

Drew throws his keys and coat in a chair and looks through some mail. He holds up one envelope and reads from it.

                                                          DREW

                                          Do NOT throw this away. You

                                          may be our next winner.

Drew rummages in a drawer and takes out a lighter. He holds up the letter and sets it on fire. He takes the letter to the kitchen sink and drunkenly drops it in.

                                                          DREW

                                        Fuck you, Ed McMahon. Fat,

                                        phickosantic Irish prick.

Drew makes his way toward his bedroom, still singing The Commodores. In the hall, he stops at the doorway to the bedroom that is his makeshift office. He walks to his writing desk and flicks on the desk lamp. The desk is crowded with folders, binders, scattered papers.

He opens a far bottom drawer and pulls out a small white binder. He dusts it off tenderly and places it on the desk. Hand-lettered in crayon on the front of the binder:

        Robby the Sprinkle and his Adventures Beyond Vanilla Valley

Drew looks up at a framed photo on the desk, a photo of him and Robby together, each with a dripping ice cream cone. Drew opens the binder and begins to read the writing there, amid crayon doodles and crude, brightly colored drawings.

                                                            DREW

                                        Robby was a chocolate sprinkle, who

                                        lived in the tiny town of Vanilla

                                       Valley, deep in the heart of the

                                        country known as Banana Splitzenberg.

Drew smiles and turns several pages, to where the writing and drawings stop. He searches for a pad of paper and a pencil. He rubs his face, vainly trying to summon sobriety.

                                                            DREW

                                         Robby was warned never to venture past

                                         Vanilla Valley. The great hills on either side

                                         of his hamlet, Pineapple Peak and Strawberry…

                                         uh. Strawberry… Fields… Fuck.

Drew wads up the paper and tosses it. He looks at the photo of his son and him, and he breaks down sobbing.